The Meaning of Zero
A series of animated infographics and graphs for Zero Invasive Predators Aotearoa
A series of animated infographics and graphs for Zero Invasive Predators Aotearoa
Brand and publication design for Te Uepū justice reform advisory group.
A video for Housewitches’ entry into Eurofishin’ on the barriers to tuna and their reproduction.
Publication and layout design for “Ināia Tonu Nei – We lead, you follow”, a Māori-led hui focussing on justice reform.
Noises, lyrics, production, and artwork by me. 💜
It’s a font that makes faces! Come have a play.
A set of illustrations of the waterways of Aotearoa and the taonga that inhabit them.
Sound design for AS Colour’s Little Help Project
Mono-line map of Te Whanganui-a-Tara contours and forests, built from open-source data, and digitally printed to cherrywood veneer, 1.2 × 2.4m.
Animation and sound design by me.
A few little scripts to subtly randomise text in InDesign. You can download them, too!
Signage designed and printed for the Queen Charlotte track, Marlborough Sounds to explain the Bottle Rock project undertaken by Zero Invasive Predators (ZIP), New Zealand.
Identity, label, and web design for small, Mirimar-based Somali hot sauce.
For Ink Digital. 38mm tin badges with a matte laminate, printed to Cocoon recycled paper.
Animation and sound design by me.
Photographic, illustrative, and cartographic work, including that one time I got to go and take a photo of Maggie Barry cutting a ribbon.
Audio track. Created with director/animator Robert Wallace.
A small display shelf for Method Recycling, Wellington. Designed to be printed and cut from one sheet of fully-recyclable 10mm kraft fluted card, and fully assembled/disassembled without adhesive. Designed for Ink.
A comprehensive design of identity, website, photography, and video for RiverWatch.nz – a campaign to raise money to test the cleanliness of Aotearoa’s rivers.
A small publication on the basics of digital print, created in collaboration with a lecture series at Massey University. Designed for Ink.
Mapping, photography, and layout design. The nose you can see belongs to Tūī. Thank you Tūī for your help.
Design and production of The Crowd magazine for PledgeMe. Additional illustrations by Jem Yoshioka.
A superfine Didot, Henri Didot is best used at huge sizes. Super high contrast, reworked metrics and kerning, and OpenType oldstyle figures. Keep away from balloons and inquisitive children. Download for free, or donate to support more projects. Download! Henri Didot is based on the work of Alexey Kryukov, and released under the Open Font License.
No squishy bits. A typeface with all straight lines, and lots of little secrets.
Curly and delicious. A loose, dynamic, hand-crafted script with enough OpenType flourishes to keep things interesting, and extensive language support. 1194 characters and counting. OpenType ligature support highly recommended! (Download includes instructions for how to turn this on.) Download Kitsune Udon now!
Audio production for Ringu – a looping installation piece created with Robert Wallace at Parallel Teeth.
A hand-inked recreation of a classic typeface. Best at big sizes (but don’t go crazy). Be sure to turn on discretionary ligatures to enjoy a set of entirely inappropriate ligatures. Entirely inappropriate ligatures inspired by Avant Garde. Be sure to turn on discretionary ligatures in Photoshop/InDesign. Download Futíða now!
Soundtrack produced for PyroPet’s Kisa campaign video.
Music made for LHP for AsColour.
Identity and postcard creation for the small fishing village of Vopnafjörður, East Iceland. Branding was to incorporate the existing logo of the town, and use photos taken in and around the area – mostly by locals. Copy played with the distance and obscurity of the location, whilst celebrating the unique aspects of the village.
Promotional material for the Time Lapsed art show held in Kobe, Japan in May 2013.